SHENZHEN, China, May 12, 2026 /PRNewswire/ -- TCL, a leading global technology company, announced its inclusion in Forbes' 2025 list of the World's Top Companies for Women, recognizing its success in building an inclusive culture and championing women in the workplace.

To compile the list, Forbes partnered with market research firm Statista to survey approximately 120,000 women working for multinational corporations in more than 36 countries. Each company's score aggregates survey responses with a "public opinion score" that quantifies women's gender perceptions of different companies, as well as data on women in executive and board positions. The list ranks 400 corporations with a significant global presence across at least two continents.
In addition to career advancement, TCL offers family-friendly benefits such as mother and baby rooms, extended paid maternity leave and childbirth allowances, along with women's healthcare services including cancer screening and psychological counseling.
"Women's empowerment is a core component of TCL's globalization and sustainability strategy, linking our technological innovation with social development," said Wei Xue, Vice President & Chief of the ESG Office at TCL Technology Group Corporation, and Chairperson of TCL Charity Foundation. "Our inclusion on Forbes' list is a tribute to TCL's long-term commitment to empowering women in the workplace and supporting their career development. We are honored to be included and proud of our track record of creating opportunity for all people."
TCL operates in more than 160 countries and regions, engaging with local communities and respecting local cultural norms to empower women in the workplace. The company maintains its commitment to diversity and inclusion by assessing Environmental, Social and Governance indicators in its global subsidiaries and using this data to inform its employment policies.
TCL Extends Female Empowerment Mission Beyond the Workplace
Since 2018, TCL has partnered with FIBA, the world's governing body for basketball, to promote female participation in the sport. The company has supported numerous global events and will continue its involvement with the upcoming FIBA Women's World Cup in Germany in September and the 2027 FIBA World Cup in Qatar.
Through the Huameng Foundation, a philanthropic initiative established by TCL's founders, the company funds female-focused programs that have enabled nearly 1,000 young women from underprivileged families to complete high school and tertiary studies. The Foundation uses technology to advance its charitable causes, supporting community development in China and elsewhere.
In addition, TCL's dynamic and long-running #TCLforHer campaign leverages technology, sports and education to empower young women and nurture their ambitions through a variety of community initiatives. The campaign shares stories of trailblazers who challenge assumptions and tear down boundaries, inspiring women everywhere to boldly defy stereotypes and fulfill their potential.
#TCLforHer has received numerous international marketing honors for its storytelling prowess. In January 2025, it won a prestigious Silver Telly Award—a major prize in the global documentary and TV brand film sector—for its 2024 marketing campaign, which centers around two brand films produced by a predominantly female team.
TCL's inclusion on the Forbes list of the World's Top Companies for Women marks an important milestone, affirming the company's leadership in female empowerment and commitment to breaking the glass ceiling for women worldwide.
About TCL
Founded in 1981, TCL—short for "The Creative Life"—embodies creativity in every aspect of life. As a leading technology brand, TCL is dedicated to delivering innovative solutions—including TVs, smartphones, audio products, smart home devices, display technologies, and clean energy—that enhance customer experiences through two independent entities—TCL Industries and TCL Technology.
With 47 R&D centers and 40 manufacturing bases globally, TCL operates in over 160 countries and regions, cementing its position as a globally competitive smart technology brand. To further inspire greatness, TCL has become an official Worldwide Olympic and Paralympic Partner in the Home Audiovisual Equipment and Home Appliances category.
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Zwölf Jahre Bühnenabstinenz und dann ein Neustart im Rockabilly-Tempo: Dick Brave, die Kunstfigur des deutschen Popsängers Sasha, ist nach langer Auszeit nach Stuttgart zurückgekehrt. Im Wizemann eröffnet er den Abend mit „Back for Good“ von Take That – ein programmatischer Einstieg, der das versprochene Comeback bereits im Titel trägt. Brave, der seine Rock’n’Roll-Persona Anfang der 2000er-Jahre etablierte, setzt damit an die Zeitreisen an, mit denen er seit 2002 das deutsche Publikum bedient: bekannte Pop- und Rocksongs werden konsequent auf einen Retro-Sound ausgerichtet.
Musikalisch trägt ihn dabei eine eingespielte Formation: The Backbeats. Ein Kontrabassist, der nur kurz zum E‑Bass wechselt, ein Pianist mit hoher Anschlagsdichte, knallige Gitarren und ein Schlagzeuger, der den geradlinigen Beat betont, formen das Fundament. Das Repertoire reicht von Originalen der 1950er- und 1960er-Jahre bis zu aktuellen Popsongs, die Brave im Rockabilly-Stil neu zeichnet. Dabei versteht er sich laut Auftrittsbeschreibung gleichermaßen auf historisches Material wie auf moderne Charttitel, denen er ein „knapp geschneidertes Rockabilly-Hemd“ überstreift.
Konkrete Beispiele dieser Transformation liefert das Set im Wizemann reichlich. „Take On Me“ von a‑ha beginnt er in einer langsamen, rhythmischen Doo-Wop-Version, verziert mit Jodlern und später angezogenem Tempo. George Michaels „Freedom“ wird zu einem Cowboystück umgebaut, während Taylor Swifts „Shake It Off“ mit hämmerndem Piano und zuckenden Gitarren in Szene gesetzt wird. Brave behauptet dabei augenzwinkernd, die US-Sängerin persönlich getroffen zu haben – ein Verweis auf die Kunstfigur, der seinen Auftritten eine zusätzliche erzählerische Ebene gibt.
Im weiteren Verlauf des Abends tauchen Dick Brave and the Backbeats tiefer in die Vergangenheit ein und holen Elvis Presley musikalisch auf die Bühne. Versammelt um ein einziges Bühnenmikrofon, agieren sie deutlich leiser als im übrigen Programm, setzen jedoch auf Authentizität und Nähe. Titel wie „All Shook Up“ und „Teddy Bear“ werden so zum kompakten Rock’n’Roll-Block, der den historischen Kern des Projekts betont: eine stilisierte, aber handwerklich präzise Rückübersetzung moderner Popkultur in die Ästhetik der 1950er- und 1960er-Jahre.